London

Victoria and Albert Museum
Design 1900 - Now Gallery
17 Sept - 2 Nov 2022

Why do we hold on to things that no longer work?

What makes us cherish and keep possessions?

Can repair add new meaning and value to an object?

For ‘R for Repair’, designers from the UK and Singapore have been invited to repair adored but damaged objects donated by members of the public. From a broken camera to an antique sewing chest, to a children’s wall clock, these designers have breathed new life into personal possessions – using the idea of creative repair to add new layers of identity and preserve meaning in unexpected ways.

This exhibition sits within a growing landscape of initiatives designed to encourage a richer repair culture. By embracing the transformative power of design, it celebrates the possibilities of repair as a creative process – one that addresses the emotional as much as the functional.

"What interests me with this project is how we can create a richer understanding of repair culture. It celebrates the possibilities of repair as a creative process, something that adds new layers to an object’s identity and meaning – addressing the ‘emotional’ as well as the ‘functional’.”
Co-Curator, Jane Withers

“Though repair used to be the first response when something breaks down, current day hyper-consumption has diminished the transformative role of repair. It is important to reframe repair in the contemporary context through design, which I believe when done well, comes with a good value system for how we could consider ownership.”
Co-Curator, Hans Tan

  • Curated by: Jane Withers Studio (UK) and Hans Tan Studio (SG)

    Exhibition Design: Nice Projects

    Exhibition Graphics: Lee Curtis

    Film and Photography (unless otherwise stated): Zuketa Film Production

    Presented by:

╲ ╲

╱ ╱

╲ ╲

Singapore

National Design Centre
Atrium Level 1
13 Jan - 6 Feb 2021

Ten designers in Singapore were invited to exercise their creativity and restore broken, faulty, worn-out objects that were volunteered by the public through an open call. Their unique and fascinating approaches resulted in outcomes that challenge our preconceptions of repair.

The charm of ‘R for Repair’ lies in the quotidian nature of the objects, ranging from the mundane (broken spectacles, for instance) to the intriguing (fused radio clock). At first glance, there is no obvious utility to these items. The natural inclination is to consign them, without a second thought, to the bin. Yet, the owners of each object has retained them in their possession.

With imagination and a large dose of ingenuity, the designers explored the stories and meaning behind each object through a conversation with the owners, and transformed each object into something that is not exactly new, but which is unique and, in a sense, covetable once more.

  • Curated by: Hans Tan Studio (SG)

    Exhibition Design: Hans Tan Studio

    Exhibition Graphics: gideon-jaime

    Photography: Khoogj

    Film: Edmund Zhang

    Presented by: